Fifteen
years ago I was ghostwriting books for the most disenfranchised members of the
global community; victims of enforced marriages, sex workers, orphans, victims
of crimes, bonded labourers and abused children. Out of those experiences I
wrote a novel, (initially entitled “Maisie’s Amazing Maids”, and now
re-launched by Thistle Publishing as a sumptuous paperback and e-book entitled
“Pretty Little Packages”).
Thistle
is an enormously successful imprint set up by London agents Andrew Lownie and David
Haviland to keep books alive and available when the more traditional publishing
organisations are no longer willing or able to do so. While there have been
some grumblings in the industry about the possible ethical problems of agents
acting as publishers, and the Society of Authors recommends careful scrutiny of
the contracts, Thistle has shown exactly how an agent/publisher can fill this
gaping hole in the market, providing another potential stream of revenue for
authors.
Electronic
developments mean that publishers like Thistle can operate with minimal capital
outlay, able to be nimble and responsive to the demands of both authors and readers
in ways that are impossible for organisations that have invested in vast,
glass, riverside tower blocks and mighty wage bills.
Until
a book or author becomes a phenomenon, (step forward J.K. Rowling, E.L. James,
Patterson, Donaldson, Walliams, Paddington et al), we authors are really more
suited to the cottage industry style of production and marketing than the
corporate. A book that can provide a good living to an individual author and an
individual agent/publisher is often hard pushed to make any significant
contribution to the bottom line of one of the mighty glass tower corporations.
Joe
Tye, the ghostwriter protagonist at the heart of Pretty Little Packages, is
definitely working at the “cottage industry” end of the business when he is
approached by a girl called Doris , who informs
him that someone has “stolen her beautiful new breasts” and asks for his help.
Responding to her plea plunges him into the dark and dangerous worlds of people
trafficking and modern slavery – his discoveries making the glass tower
publishers suddenly eager to open their cheque books to him.
At
the same time as dealing with the amorous advances of the sixteen year-old
daughter of a gangster, who also happens to be his client, and navigating his
way through drug dens and backstreet clinics from Brighton to Manila, Joe is
trying to be a responsible, newly divorced father to a young son who constantly
does the unexpected – and then things turn really ugly.
At
the heart of everything sits Maisie, and her network of “Amazing Maids” – all
called Doris and all having their breasts stolen. But behind Maisie lie much
more powerful and sinister forces. People for whom other people’s lives are
entirely expendable. People who do not want Joe telling stories.
Back
in the real world; the more publishing companies there are like Thistle the
more chance that stories will be told which the denizens of the glass tower
blocks would otherwise allow to disappear – stories like Pretty Little Packages.
