Showing posts with label printed books versus e-books. Show all posts
Showing posts with label printed books versus e-books. Show all posts

Tuesday, 28 February 2012

Falling out of Love with Physical Books










Last month in my allotted space on the "Do Authors Dream of Electric Books? blog ( authorselectric.blogspot.com ) I bared my soul regarding difficulties in my relationship with my desktop. This month I had to confess to the even more traumatising discovery that I might have fallen out of love with an even more long-standing soul-mate.


When I was first introduced to my pretty young iPad a year ago I imagined that it would merely widen my horizons, offer me more options and some lively entertainment. I stumbled into the relationship like some wide-eyed old fool who fails to realise he has been targeted as potential sugar-daddy material, never thinking it would make me question my relationship with the printed books who had been part of my life ever since I first met Paddington Bear. But suddenly I find myself irritated by features of my old love that I once found endearing or was totally blind to. I am impatient with physical shortcomings that I would once never even have noticed.


This realisation dawned when a book I needed for research purposes was not available as an e-book. So, the first annoyance came from having to wait a whole day for Amazon to get a physical copy to me. Imagine! A whole day! Most of that time, I tried to tell myself, was actually night, but already the seeds of discontent had been sown.


The book arrived and I carried it off to one of my favourite reading places, only to find that we now do not have bright enough lighting for anything which doesn’t have a back-lit screen, (a result of energy-friendly light bulbs and aging eyes). There was no facility for increasing the size of the print to compensate, which my obliging little iPad would have been happy to provide for me. When I did eventually find enough light I discovered that the print ran too close to the edge of the pages for me to be able to keep the book open without either contorting my fingers uncomfortably or cracking the spine back in a way that would once have seemed like sacrilege. With one spiteful jerk I snapped its fragile spine, immediately feeling like I’d kicked a kitten.



This book is perfectly well published by a highly respected house and in the past I would have accepted all these annoying little features without a second thought – just as I once accepted that a television needed to be “warmed up” and that Radio Luxembourg’s signal would fade whenever my favourite song came on. I have been seduced away from a long-standing and faithful love and I think I may just have to get over it and move on. When I was first permitted to use ink rather than pencil at school I had to dip the nib in an inkwell every few words, (an inkwell which was invariably clogged with old blotting paper which then stuck to the nib and …. I digress). I felt no guilt about the abandoned pencil, nor did I later feel guilt when I was allowed to move on to a fat, shiny, garishly coloured floozy of a fountain pen which held a decent supply of ink, (we were never allowed to use biros, that would have been taking technology too far), so I think I must now try to muster the same pragmatic approach to this latest betrayal of an old friend.


photo of author by Louis Leeson











Friday, 30 December 2011

Given Away in Bangkok

(This blog was previously published on the excellent "Do Authors Dream of Electric Books?" site: http://authorselectric.blogspot.com/ )

I was sent to Bangkok as a gift this month. I was to be presented at a party to the host, who had long said he wanted to write a book and whose family thought he would welcome the help of a ghost. The family did not ask me to go to the Orient gift-wrapped, but they did ask me to take with me a mock-up of a possible cover of the book, so that there would be something tangible to be handed over, something that would show instantly what the gift was.

That got me thinking about the place for printed books now that we are all concentrating so hard on understanding the dynamic of the electronic versions. This imaginative idea of the book as a prestigious gift would not have worked so well if presented in e-book form. It would have lacked the cultural resonance of the print version. The recipient of the gift would not have been able to pick it up, turn it over in his hands and pass it round the guests who had assembled for the presentation beneath the hotel’s palm trees.


E-books are undoubtedly the way forward when it comes to getting writers’ work out there, showcasing it, distributing it more economically and ecologically, but when it comes to creating a product with special meaning, and for limited editions that are to be displayed as well as read, print will no doubt live on for a long time. Books that might be read by millions on screens, can still be produced in special editions for hundreds or thousands of collectors and enthusiasts.


The hotel in Bangkok where the four day party was being thrown, was next to a mighty new shopping mall, which had a whole floor dedicated to information and communication. Wandering past the bustling, beautiful stores belonging to brands like Apple, Blackberry and Nokia, I found in the middle of the concourse the most beautifully presented book shop. Half of it was dedicated to English language books and there were hundreds of well displayed, well designed, tempting books. The aisles were full of browsers and there was steady business at the tills. I know very little about the Thai book market. It may well be that retail rents are much lower than in Europe, but whatever the reason it was a wonderful experience to find books so integrated into this very modern shopping experience, seeing them finding their place amongst the Smart phones and tablets. It seemed like a glimpse into a harmonious future, bringing the works of writers to readers in an attractive way that we are still only stumbling towards in Britain.