We live our lives episodically, like
the detectives, doctors and lawyers who are so often used as the narrators,
protagonists or, dare I say it, heroes of fiction and drama. Each episode opens
with the story arriving in the protagonist’s life or with a mysterious email or
phone call from a stranger that leads to an adventure and the unearthing of a
story.
Detectives then solve their cases,
doctors cure their patients, lawyers win their cases and ghostwriters create
their books.
That is why two of my novels have
ghostwriters as narrators. Not only do I have the background information on how
the ghostwriting business works, and not only does my profession lead me to a
variety of exotic locations, from palaces to brothels, but it also supplies an
endless stream of interesting characters with interesting stories to tell.
In Pretty Little Packages (Thistle Publishing), the ghost is informed
by a girl called Doris that someone has
“stolen her beautiful breasts”. She asks for his help and he finds himself
plunged into the dark and dangerous worlds of people-trafficking and modern
slavery. Much of the action happens in the Far East ,
a part of the world where I have worked a great deal as a ghost.
At the other end of the social
scale from sex slaves are the rich and the powerful, who also
like to write books. Since they are always short of time they also need to
employ ghostwriters to do the actual writing, particularly if English is not
their first language. The global elite, whether they are political leaders,
business leaders or celebrities, live in a world which ordinary people seldom
get to see inside, which puts ghostwriters at a huge advantage. They also live
the sort of lives which produce endless story-lines.
Secrets
of the Italian Gardener (RedDoor Publishing) is a novella I have written as
a result of those encounters, again using a fictional ghostwriter as the
narrator. In this case he has been hired
to tell the story of a Middle Eastern dictator during the Arab Spring. Trapped
inside the dictator’s besieged palace the ghost, who is harbouring a terrible
secret of his own, forms an unlikely friendship with a wise and seemingly
innocent gardener and unearths more than he expects as the dictatorship
crumbles around him. He discovers that the regime, and indeed the garden
itself, is not all it appears to be and he discovers the shocking truth of who
really holds the power and wealth in the world.
Like detectives, lawyers and
doctors, ghostwriters are the holders of other people’s secrets, the raw
material of all fiction and drama.
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