As the launch or Roman Polanski's filmed version of Robert Harris' "The Ghost" starring Ewan Mcgregor, Pierce Brosnan and Kim Cattrall, draws closer some fantastic trailers are starting to appear on the Internet. The US trailer is up on FirstShowing.net and it looks stunning. The film seems now to be called "The Ghost Writer" - let's hope the cinema-loving public can overlook Polanski's current personal difficulties and just sit back to enjoy the ride - this is just what ghostwriters' lives are like, honest!
http://www.firstshowing.net/2010/01/28/official-us-trailer-for-roman-polanskis-the-ghost-writer/
Thursday, 11 February 2010
Wednesday, 10 February 2010
“You Have Written a Masterpiece – But You Are Not a Name”.
Interesting piece in the Telegraph today about Alexandre Dumas, author of 'The Three Musketeers' and 'The Count of Monte Cristo', and his ghost writer, or ‘nègre’ as folks like me are sweetly referred to over there, Auguste Jules Maquet.
“In the 1830s,” the piece claims, “Maquet, a novelist and playwright, had tried to have his works published but was told: ‘You have written a masterpiece, but you’re not a name and we only want names’.”
Plus ça change is all I can say.
“In the 1830s,” the piece claims, “Maquet, a novelist and playwright, had tried to have his works published but was told: ‘You have written a masterpiece, but you’re not a name and we only want names’.”
Plus ça change is all I can say.
Wednesday, 27 January 2010
The Dark Glamour of Haiti
I was drawn to Haiti as a naïve young travel writer 30 years ago because in The Comedians Graham Greene had made it seem a darkly glamorous and dangerous place. Greene was there during Papa Doc’s reign of terror and by the time I arrived it was his son, Baby Doc, who was ensconced in the white folly of a palace which now lies in ruins, as uninhabitable as the rest of city around it.
The fabulous, exotic Grand Hotel Oloffson, where Greene had set his story, still stood on the outskirts of Port-au-Prince and one of Greene’s original characters, (the gossip columnist, Petit Pierre, in the book), Aubelin Jolicoeur still propped up the bar.
‘He has made himself one of the country’s leading characters,’ I wrote at the time, ‘affecting cane, monocle, cravat and a theatrically camp manner which makes many unaware of just how much influence he has at the presidential palace and in ministerial offices.’
In one of those ministerial offices I met the island’s then director of tourism, ‘a Gucci-clad minister by the name of Theo Duval’.
‘Why do we travel?’ he mused. ‘To feel in a pleasant way, to make a loop in the straight line of our existence, escaping into timelessness, a dreamlike state in which we are not reminded of our servitude.’
It was the first truly poor place I had ever visited and I was shocked to see how close to the brink of chaos people can survive, and frightened to see how fragile a veneer civilisation actually is.
If I remember rightly The Comedians ends with one of the departing characters throwing a handful of coins from a car window, causing a dangerous riot amongst the scrabbling horde of street children – an image which we are now seeing magnified and repeated nightly on the news.
‘When people come to Haiti,’ Aubelin Jolicoeur told me, ‘they always try to make the story funny. They never take it seriously. All through the centuries we have been ostracised by the world because we were the first black republic. Always we are misunderstood and misinterpreted. There is a bad spell on Haiti.’
Well, I guess no one is laughing now.
The fabulous, exotic Grand Hotel Oloffson, where Greene had set his story, still stood on the outskirts of Port-au-Prince and one of Greene’s original characters, (the gossip columnist, Petit Pierre, in the book), Aubelin Jolicoeur still propped up the bar.
‘He has made himself one of the country’s leading characters,’ I wrote at the time, ‘affecting cane, monocle, cravat and a theatrically camp manner which makes many unaware of just how much influence he has at the presidential palace and in ministerial offices.’
In one of those ministerial offices I met the island’s then director of tourism, ‘a Gucci-clad minister by the name of Theo Duval’.
‘Why do we travel?’ he mused. ‘To feel in a pleasant way, to make a loop in the straight line of our existence, escaping into timelessness, a dreamlike state in which we are not reminded of our servitude.’
It was the first truly poor place I had ever visited and I was shocked to see how close to the brink of chaos people can survive, and frightened to see how fragile a veneer civilisation actually is.
If I remember rightly The Comedians ends with one of the departing characters throwing a handful of coins from a car window, causing a dangerous riot amongst the scrabbling horde of street children – an image which we are now seeing magnified and repeated nightly on the news.
‘When people come to Haiti,’ Aubelin Jolicoeur told me, ‘they always try to make the story funny. They never take it seriously. All through the centuries we have been ostracised by the world because we were the first black republic. Always we are misunderstood and misinterpreted. There is a bad spell on Haiti.’
Well, I guess no one is laughing now.
Saturday, 19 December 2009
As One Little Goldmine Closes
Just over twenty years ago I decided to take a modest advertisement in The Bookseller magazine – “Ghostwriter for Hire”. At the end of this year I am told the magazine will be closing the Directory page which has carried that ad almost every week since.
I owe The Bookseller a huge debt of thanks for all the fascinating people that little ad has steered in my direction over the last couple of decades.
When Zana Muhsen went into her local library to enquire how she could make contact with a ghostwriter, it was a copy of The Bookseller that the librarian pulled out to consult. Four million or so copies of the resulting book, “Sold”, have since been sold and many other authors, publishers and agents have been led to my door along the same route.
There were many months when the ad produced no results at all and other writers, following my lead and buying space themselves, would come and go, often disappointed not to be able to see instant results for their outlay. But every few months another opportunity would find its way through to me from that calling card, which I left permanently in the publishing world’s equivalent of their Post Office window.
I have no idea how the economics of the magazine’s advertising pages pan out these days, but I’m guessing they have done their sums before deciding to close this particular window.
Is it one more small brick in the bridge leading us all away from printed media, across choppy and uncharted seas to a totally digital world? Probably.
Whatever it is, taking that ad twenty years ago was quite possibly the best business decision I ever made – closely followed by the decision five years ago to ask the wonderful folk at Wordpool Design to build me a website.
I owe The Bookseller a huge debt of thanks for all the fascinating people that little ad has steered in my direction over the last couple of decades.
When Zana Muhsen went into her local library to enquire how she could make contact with a ghostwriter, it was a copy of The Bookseller that the librarian pulled out to consult. Four million or so copies of the resulting book, “Sold”, have since been sold and many other authors, publishers and agents have been led to my door along the same route.
There were many months when the ad produced no results at all and other writers, following my lead and buying space themselves, would come and go, often disappointed not to be able to see instant results for their outlay. But every few months another opportunity would find its way through to me from that calling card, which I left permanently in the publishing world’s equivalent of their Post Office window.
I have no idea how the economics of the magazine’s advertising pages pan out these days, but I’m guessing they have done their sums before deciding to close this particular window.
Is it one more small brick in the bridge leading us all away from printed media, across choppy and uncharted seas to a totally digital world? Probably.
Whatever it is, taking that ad twenty years ago was quite possibly the best business decision I ever made – closely followed by the decision five years ago to ask the wonderful folk at Wordpool Design to build me a website.
Wednesday, 16 December 2009
A Golden Age for Writers
Stephen Covey has shown us what the future might hold for writers.
If there is one thing that everyone in the publishing world can agree on amidst the current chaos, it is that everything is about to change. Insecurity is all around us as the big players all try to work out how the business is going to develop; are e-books finally going to take over the world? Will Kindles and the rest soon be as ubiquitous as mobile phones and laptops? And, if so, who the hell owns the rights to what?
As all the big corporations rush to their lawyers, it may be that this is about to become a golden age for those of us who have remained hungry and nimble and are used to living by our wits.
It is beginning to look as if in the long run none of these changes should trouble writers too much. We are used to insecurity. We are used to never knowing if we are going to be able to sell our work. We are used to not knowing how much we will be paid for it or when that money will ever actually arrive. We have never had regular salaries or pensions or subsidised canteens to lull us into a false sense of security. We have always known just how much of a jungle it is out there.
We have always been forced to accept that we have little or no control over our careers or our work, that we have to write as much and as well as we can and then basically hope for the best. We are used to being promised the Earth and then somehow not quite getting it.
We are also familiar with the exhilaration of a sudden triumph; a book that tops the charts, sells all over the world, creates a buzz and brings unexpected amounts of money pouring in. We know that those moments, and the dreams we have of those moments, make all the struggles and uncertainties worthwhile.
In this new age of e-books, self-publishing and print-on-demand, it is beginning to look as if we won’t necessarily have to rely on the patronage of publishers to help us reach our readers.
The writing life will still be a struggle, as it has always been, but it may just be that we are going to have more control over our destinies in the coming years than we have ever had in the past. It is possible that we will soon be actively choosing who we want to hire to edit us, design our covers and help us to market our wares.
Is it possible that we are about to enter a Golden Age for writers?
If there is one thing that everyone in the publishing world can agree on amidst the current chaos, it is that everything is about to change. Insecurity is all around us as the big players all try to work out how the business is going to develop; are e-books finally going to take over the world? Will Kindles and the rest soon be as ubiquitous as mobile phones and laptops? And, if so, who the hell owns the rights to what?
As all the big corporations rush to their lawyers, it may be that this is about to become a golden age for those of us who have remained hungry and nimble and are used to living by our wits.
It is beginning to look as if in the long run none of these changes should trouble writers too much. We are used to insecurity. We are used to never knowing if we are going to be able to sell our work. We are used to not knowing how much we will be paid for it or when that money will ever actually arrive. We have never had regular salaries or pensions or subsidised canteens to lull us into a false sense of security. We have always known just how much of a jungle it is out there.
We have always been forced to accept that we have little or no control over our careers or our work, that we have to write as much and as well as we can and then basically hope for the best. We are used to being promised the Earth and then somehow not quite getting it.
We are also familiar with the exhilaration of a sudden triumph; a book that tops the charts, sells all over the world, creates a buzz and brings unexpected amounts of money pouring in. We know that those moments, and the dreams we have of those moments, make all the struggles and uncertainties worthwhile.
In this new age of e-books, self-publishing and print-on-demand, it is beginning to look as if we won’t necessarily have to rely on the patronage of publishers to help us reach our readers.
The writing life will still be a struggle, as it has always been, but it may just be that we are going to have more control over our destinies in the coming years than we have ever had in the past. It is possible that we will soon be actively choosing who we want to hire to edit us, design our covers and help us to market our wares.
Is it possible that we are about to enter a Golden Age for writers?
Tuesday, 1 December 2009
Cactus TV to the Rescue of Book Publishing
Cactus, the television company that brought us Richard and Judy, have devised a new book programme in which celebrities will talk about books - Thank God for that!
If there is one thing the publishing world needs it is spokespeople who will help the general public to discover what a joy books can be and to give them some guidance through the maze.
We have seen how effective this can be with Oprah and Richard and Judy, both of whom are apparently retiring from their roles as ambassadors to the publishing world- we desperately need a renewed sprinkling of stardust. Let's all pray that Cactus continue to choose their celebrities and anointed books as wisely as they have in the past.
Celebrities are possibly the most powerful marketing tools ever invented - let's recruit as many of them as possible to the great cause!
If there is one thing the publishing world needs it is spokespeople who will help the general public to discover what a joy books can be and to give them some guidance through the maze.
We have seen how effective this can be with Oprah and Richard and Judy, both of whom are apparently retiring from their roles as ambassadors to the publishing world- we desperately need a renewed sprinkling of stardust. Let's all pray that Cactus continue to choose their celebrities and anointed books as wisely as they have in the past.
Celebrities are possibly the most powerful marketing tools ever invented - let's recruit as many of them as possible to the great cause!
Monday, 30 November 2009
Virtually all Top Twenty Bestsellers are celebrity titles
Articles keep appearing in the press claiming that the fashion for celebrity books is now over, just as the fashion for “misery memoirs” was reported to be over a year or two ago. In fact, celebrity books make up virtually the whole of the Top Twenty Non-Fiction Bestsellers.
While I can see that the current crop of titles are not achieving the same enormous sales figures as some of their predecessors, (perhaps because they are not such interesting or commercial stories), it seems from looking at the bestseller charts in The Bookseller this week that the celebrities are still totally dominating the non-fiction hardback charts and the “miseries” are still showing strongly amongst the paperbacks.
In the top ten non-fiction hardbacks we find Ant and Dec, Peter Kay, Jeremy Clarkson, Frankie Boyle and Patrick Swayze, plus another Top Gear book and titles from Andrew Marr and Delia Smith, both of whom can link their success partially to their television presences. That leaves only two other books, one of which is the Guinness Book of Records, the other is Ripley’s “Believe it or Not” book of amazing facts.
Amongst the next ten top bestsellers we find JLS, Chris Evans, Jo Brand, Katie Price, Jamie Oliver, Ozzy Osbourne, Jack Dee, another Top Gear book and a Football Annual. That leaves one more place for “Simon’s Cat” a cartoon book which started life on the Internet.
On what planet can this be described as “the end of the celebrity book genre”?
I could make a similar case for misery memoirs amongst the paperbacks, (some of which double up as celebrity books by the likes of Jade Goody and Coleen Nolan).
While I can see that the current crop of titles are not achieving the same enormous sales figures as some of their predecessors, (perhaps because they are not such interesting or commercial stories), it seems from looking at the bestseller charts in The Bookseller this week that the celebrities are still totally dominating the non-fiction hardback charts and the “miseries” are still showing strongly amongst the paperbacks.
In the top ten non-fiction hardbacks we find Ant and Dec, Peter Kay, Jeremy Clarkson, Frankie Boyle and Patrick Swayze, plus another Top Gear book and titles from Andrew Marr and Delia Smith, both of whom can link their success partially to their television presences. That leaves only two other books, one of which is the Guinness Book of Records, the other is Ripley’s “Believe it or Not” book of amazing facts.
Amongst the next ten top bestsellers we find JLS, Chris Evans, Jo Brand, Katie Price, Jamie Oliver, Ozzy Osbourne, Jack Dee, another Top Gear book and a Football Annual. That leaves one more place for “Simon’s Cat” a cartoon book which started life on the Internet.
On what planet can this be described as “the end of the celebrity book genre”?
I could make a similar case for misery memoirs amongst the paperbacks, (some of which double up as celebrity books by the likes of Jade Goody and Coleen Nolan).
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